Mr Nine Rides Again

The audio version of my homicidal puppet story, Mr. Nine and the Gentleman Ghost, is now available at Cast of Wonders

http://www.castofwonders.org/2013/04/01/ep-73-mr-nine-and-the-gentleman-ghost-by-aidan-doyle/

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The Next Big Thing – Steve Turner

A guest post from one of my Clarion South friends, the very talented Steve Turner. I’m a big fan of Norse mythology, so I’m particularly looking forward to reading Steve’s book.

The Next Big Thing

By Steve Turner

As part of an ongoing chain of book and author recommendations called ‘The Next Big Thing’ where writers share what they are working on, I have answered a number of questions about my current project. I was tagged by my Clarion South workshop friend, the brilliant and imaginative Aidan Doyle.

What is the working title of your book?

Enemy of the Gods (Part 1 of a trilogy).

Where did the idea for the book come from?

The original idea is about five years old, and goes back to a family discussion around a BBQ where my two brothers and two sons and I had a wish list/brainstorm session about what we would like to see in the next high quality fantasy novel or movie.  The common consensus was an appetite for stories told from the POV of the coolest baddies in fantasy, their own stories, with their own hopes and dreams and struggles.  I love dragons but thought that had been done so well by so many fine authors so I wanted to try something else – in this case, the trolls – but in the original Norse mythology world populated by trolls, elves, dwarfs, giants, gods and stupendous monsters.  I was always fascinated by Norse mythology and the world the Vikings believed in, so I set my world(s) firmly in that space. Then, wanting to put my own spin on this world of wild natural magics and logic defying gods, mutations and madness I gave the whole thing a kind new weird twist.

What genre does your book fall under? 

Epic fantasy with a touch of dark fantasy and a good helping of the weird. 

What is a one-sentence synopsis of your book?

A young man mutates into a troll with growing magical powers and joins with a group of trolls and giants to become the focus of a struggle against the ruthless gods to control his own fate and bring about the final battle of Ragnarok between the Norse gods (and mankind) and their enemies, the giants (and the dead).

What actors would you choose to play the part of your characters in a movie rendition?

Not sure, my main protagonist is a young Viking who starts to change into a troll, and could be played by someone like Chris Hemsworth, though probably someone a bit younger (protag is 17yo at beginning).  A couple of his troll companions are quite big so need to be played by bulkier actors like Ron Perlman and Michael Chiklis.  The dark elf Lady of the Blood could be played by Angelina Jolie.

Will your book be self-published or represented by an agent?

Still in the final stages of writing, but then will hopefully be picked up by an agent or publisher.

How long did it take you to write the first draft of the manuscript?

It’s taken about five years but with a few breaks of five or six months to pull myself together and restructure and regroup (and *ahem* just plain old procrastination) – particularly in the period after my Clarion South workshop experience which taught me so much, lessons that I have since applied to this story.

What other books would you compare this story to within your genre?

This novel uses two very different approaches. On the surface, built on early Norse mythology beliefs and themes, shared with novels like Poul Anderson’s ‘The Broken Sword’, and maybe a slight nod to Tolkien’s LOTR – but with all the Norse gods, giants, monsters and the forces of the dead put back in (and told from their POV), trying to stick to the original source material and avoid Tolkien’s fantasy cliches and tropes that every second fantasy novel now seems to use.  But underneath there is also a definite feeling of  weird things happening, such as body mutations and gargantuan monsters moving in the background, influenced by new weird legends  like Jeff VanderMeer with his Ambergris universe (my favourite of these novels is ‘Finch’) and China Mieville’s Bas-Lag novels (my favourite is The Scar).

What else about the book might pique the reader’s interest?

The trilogy  is based on the nine worlds of early Norse mythology and includes: trolls, giants, gods, demigods, the forces of the dead, men, dark elves, dwarves, monsters; different systems of magic; violent and monstrous mutations and death; attacks from Thor, God of Thunder and Tyr, God of War; scheming from the creator god Odin; sacrifices to the dark elf god; power struggles, plots and counter-plots for control of Midgard; the struggle between the forces of Chaos and Order; fire giants, storm giants, frost giants; Hel, goddess of the dead, and Nidhogg the black dragon, lord of Hel’s gates; love, betrayal, sexual tension and personal sacrifice; monstrous monsters and strange strangers; fixed fate versus free will; the final battle Ragnarok at the end of the world.  

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YA Mind Meld on SF Signal

I joined in SF Signal’s mind meld on the topic of rebranding classic genre novels as YA.

http://www.sfsignal.com/archives/2013/01/mind-meld-rebranding-fiction-as-young-adult/

Posted in Writing

The Next Big Thing

The Next Big Thing involves writers sharing their next writing project and linking to other writers. I was tagged by my Clarion South classmate, Angie Rega.

What is the working title of your book?

The Zero Dragon.

What genre does your book fall under? 

Young adult fantasy.

What is a one page synopsis of your book?

Kenji’s brother has been poisoned by a shadow dragon.  Only the touch of someone whose heart has been replaced by a star can save him. The stars are hidden within Red Dragon Monastery, home of fanatical warrior monks. Kenji is fifteen years old, has trained to be a librarian and has never fought a battle. But he would do anything to save his brother. Red dragons have numerical engines for hearts and the monks use them to create equations which can reshape reality. Kenji must undergo a brutal training regime and break the encryption on his dragon egg before he can become a monk and gain his own dragon.

Where did the idea come from?

I had been reading about the sohei – Japan’s warrior monks and wanted to write a monkpunk novel.

What actors would you choose to play the part of your characters in a movie rendition?

Ken Watanabe or Hiroyuki Sanada for Kenji’s uncle.  Chiaki Kuriyama or Aya Ueta for Yuki.  Sonny Chiba for the Abbot.  I’m not sure about who could play Kenji.

Will your book be self-published or represented by an agent?

After I’ve finished the next revision, I’ll send it out to agents and publishers.

How long did it take you to write the first draft of the manuscript?

About a year and a half.

What other books would you compare this story to within your genre?

The novel follows the tradition of a young protagonist undergoing magical training (a la A Wizard of Earthsea and Harry Potter) blended with a feudal Japanese inspired setting (Tales of the Otori). It also mixes in the hacker ethos of Snow Crash.

What else about the book might pique the reader’s interest?

The world’s magic system is based on numerical properties.  The monks control their dragons by feeding them encoded sequences of rice.

 

For next week, I’ve tagged Steve Turner and Jason Hargenrader

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The Happiest Dragons on Earth

The only way most people can get a visa for Bhutan is to visit with a guided tour.  I had booked a tour but it was cancelled at the last minute, and I ended up on a “group” tour that was just me, a guide and a driver.  It is an expensive country to visit, and I only spent 4 days there.

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Bhutan is a small country bordered by India and China.  The country is known as the Land of the Thunder Dragon and is home to around 700,000 people.  More than 70% of the country is covered by forest.  It certainly seemed pristine compared to India and Nepal.

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Bhutan’s third king tried to modernise the country in 1962 and built the country’s first schools and hospitals.  Bhutan was the last country in the world to get television, in 1999.  Almost every article you read about Bhutan mentions two things: supposedly Thimphu is the only capital city in the world that doesn’t have any traffic lights and Bhutan’s policy of Gross National Happiness. This involves encouraging health, education and sustainable development projects.  Bhutan’s fourth king introduced the concept of Gross National Happiness and reformed Bhutan so it became a constitutional monarchy with a parliament rather than an absolute monarchy.  He then abdicated in favor of his son, Bhutan’s current monarch.

In The Geography of Bliss, Eric Weiner explains that Gross National Happiness:

means knowing your limitations; knowing how much is enough. Free-market economics has brought much good to the world, but it goes mute when the concept of enough is raised.

As the renegade economist E.F Schumacher put it: “There are poor societies which have too little. But where is the rich society that says ‘Halt! We have enough!’ There is none.”

Wealth is liberating, no doubt. It frees us from manual labor, working in the fields under a merciless midday sun or flipping burgers, the modern-day equivalent. But wealth can also stymie the human spirit, and this is something that very few economists seem to recognize.

As Schumacher said, “The richer the society, the more difficult it becomes to do worthwhile things without immediate payoff.” That is a radical and profound statement. In a wealthy, industrialized society, one where we are supposedly enjoying a bountiful harvest of leisure time, we are discouraged from doing anything that isn’t productive – either monetarily or in terms of immediate pleasure. The Bhutanese, on the other hand, will gladly spend a day playing darts or just doing nothing… 

In the last few decades, Bhutan has made tremendous strides in the kind of metrics that people who use words like metrics get excited about.  Life expectancy has increased from forty-two to sixty-four years.  The government now provides free health care and education for all of its citizens.  Bhutan is the world’s first non-smoking nation; the sale of tobacco is banned.

Dealing with the stress of yet another executive meeting.

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Does that mean Bhutan is now a happy country?  When I arrived at my hotel the receptionist was singing a song to himself, as was the janitor in the airport bathroom.  There are plenty of studies claiming to rank the world’s happiest countries, but the studies vary widely in results and their methods could be described as questionable at best.  The Organisation for Economic Cooperation and Development ranked Australia as the happiest country in the world.

http://www.smh.com.au/business/smile-were-the-worlds-happiest-nation-20120523-1z4f0.html

They surveyed 36 countries.

The Happy Planet Index ranks Costa Rica as the happiest country in the world.

A UN sponsored survey found that Denmark was the happiest country in the world.  They didn’t survey Bhutan.

Although the Bhutanese government admirably places an emphasis on the happiness of its people, at other times I couldn’t help noticing some similarities to North Korea (another country where the only way to visit is by guided tour). Photos of the royal family are prominently displayed in many locations.

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My guide was happy to inform that ALL Bhutanese love wearing their national costume.

The majority of locals I met also seemed to have a complete indifference towards tourists. Compared to India where people stared at foreigners or expended a great deal of energy on trying to sell things to tourists, the Bhutanese in shops often didn’t say anything and locals on the street generally treated me as though I was invisible. Even in North Korea, at least people made it clear they were focusing all their energy on deliberately ignoring your presence. It is the first time I’ve spent a few days in a country, and not a single local, other than my guide asked me where I was from.

The royal family is very popular in Bhutan.  A couple of hours after arriving in Bhutan I visited a temple.  The king’s grandmother was visiting the temple at the same time, so I had to wait for her to come out.  She said hello and asked the American family standing next to me if they were enjoying their visit to Bhutan.  Fortunately I was more than suitably attired to meet royalty – sandals, $5 trousers I bought in Nepal and a Pacman vs. Ghostbusters t-shirt.

Bhutan’s main tourist attraction is Paro Taktsang, the so-called Tiger’s Nest, a monastery built on the side of a cliff.  I went for a hike up to the monastery, which is an amazing building.

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It was built in 1692 and is supposedly the place where the monk that introduced Buddhism to Bhutan meditated.  He allegedly flew up to the site of the Tiger’s Nest on the back of his wife – who had assumed the form of a flaming tiger.

Over the years, Bhutan fought many wars with Tibet and the country has lots of fortresses known as dzongs.  Bhutan’s main language is dzongka (literally – language of the fortress).  If you read about the history of Bhutan, you will most likely find it full of unfamiliar terms:

The dzongpon of Punakha – who had emerged victorious – had broken with the central government and set up a rival Druk Desi while the legitimate druk desi sought the protection of the ponlop of Paro and was later deposed.

The first British representative sent to negotiate with the Bhutanese wrote that the meeting hadn’t gone as well as he had hoped:

[The Bhutanese representative] took up a large piece of wet dough and began rubbing my face with it; he pulled my hair, and slapped me on the back, and generally conducted himself with great insolence.

 Bhutanese cuisine uses a lot of chillies and everywhere you see chillies drying on roofs.

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Drawing penises on buildings would be considered graffiti in most countries, but in Bhutan is serves as a good luck fertility symbol.

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The takin, the national animal of Bhutan.  An animal described as having the head of a goat and the body of a cow.

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The winding road linking Paro (the airport) to Thimpu (the capital) has been the site of many accidents and now features lots of warning signs for drivers:

It is not rally. Enjoy the world.

It is highway, not runway.

Shooting stones! Drive carefully.

In places three quarters of the road had been covered by falling rocks. Tuesday is pedestrian day in Thimphu, which means that only tourist vehicles, city buses and alternating odd/even numbered taxis are allowed into the city during the day.

 Danger! Monks crossing.

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The Wings of Buddha

After Chitwan, we travelled to Kathmandu.

 

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Different colored powered ink for sale.IMG_18506

We booked a morning mountain flight.  Buddha Air operates small planes that go on tourist flights around Mt. Everest and other Himalayan peaks.  Kathmandu Airport has a bad reputation for safety.  We were on the  tarmac about to board the plane, when the ground staff told us there was a technical problem and we had to go back into the terminal.  Half an hour later we were back in the plane.  Every one had a window seat and the view of the mountains was amazing.

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Mt. Everest is at the far right.

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After the flight landed, we found out the reason for the delay was that one of the planes that took off before us had crashed not far from the airport.  All of the 19 people aboard were killed.

http://www.bbc.co.uk/news/world-asia-19754351

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Enlightened Rhinos

We crossed from India into Nepal and stopped at Lumbini, the place where Siddharta Gautama, aka Buddha, was born.  Enlightenment doesn’t include free parking, though.

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 Next was Chitwan National Park, where we went on a canoe ride followed by a jungle trek.

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There were plenty of leeches waiting in the long grass.

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This is as close as we came to the park’s wild tigers. 

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The guide instructed us that if we came across a rhino and it charged, it was best to run in a zigzag pattern and try and make it to a tree.

We later went on an elephant safari.  The rhinos don’t seem to mind the presence of elephants.

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May 2013
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